The beginnings of reality rap are viewed to be based upon African tempos which were used as a kind of communication by the native peoples. The lyrical component of rap tunes has a repetitive chants and scats, along with call-and-response technique with the viewers. It has developed and obtained in reputation in the 1960's when a few revolutionary DJ's started to work block events in the Bronx. They would bring in large speakers, hook them up to a turntable and play two of the same record at the same time, repeating the same section of the vinyl over and over by scratching it. Other performers would chant and yell to the crowd.
In 1979, music companies recorded rap for the very first time and gained popularity. In 1982, Grandmaster Flash and the Furious Five introduced the first well-liked politically based rap. Grandmaster's song, The Message relates to life in the inner city and the stress of being around violence and drugs. Rap music and all other styles of media have their places in this world. While some may dispute strongly about whether certain types of music are beneficial or even safe for society to witness, their arguments stay their personal opinions.
The true battle for free speech lies not in fighting for the right to hear what you agree with, but in fighting for the freedom of those with whom you disagree. When you take away the public's right to voice a differing opinion, through either their music, their writing, or their art you strike at the really heart of freedom for which people really should stand. Musicians, recording companies and fans are all worried about the problem of music censorship. This type of person pitted against the government authorities and community organizations who are seeking to eliminate what is considered to be obscenity in popular music.
Problems arise in seeking a sufficient definition of obscenity as it applies to artistic works. It was decided that obscenity is a community matter and that it has to be confined on the basis of local, instead of federal, standards. In order for a product to be obscene, it should be patently offensive and it also must appeal to prurient pursuits and lack serious creative merit. Controversies come up in seeking a description for what constitutes artistic merit. Clearly, value in art is a really subjective thing. Some people will derive pleasure or insights from a work which others will find disgusting, disturbing or unappealing.
Reality rap and the topic of censorship is not something new. Lots of people in the record market took up arms against the legal censorship. Citing the Supreme Court decision that obscenity is defined by a lack of artistic merit, rap followers believed that it is hard to think that an album that almost 2 million people have bought, laughed with and danced to have no value as a imaginative work. Even though many people found it to be offensive, and many others considered its lyrics to be immature, there were obviously still many others who found some type of artistic value in it.
In 1979, music companies recorded rap for the very first time and gained popularity. In 1982, Grandmaster Flash and the Furious Five introduced the first well-liked politically based rap. Grandmaster's song, The Message relates to life in the inner city and the stress of being around violence and drugs. Rap music and all other styles of media have their places in this world. While some may dispute strongly about whether certain types of music are beneficial or even safe for society to witness, their arguments stay their personal opinions.
The true battle for free speech lies not in fighting for the right to hear what you agree with, but in fighting for the freedom of those with whom you disagree. When you take away the public's right to voice a differing opinion, through either their music, their writing, or their art you strike at the really heart of freedom for which people really should stand. Musicians, recording companies and fans are all worried about the problem of music censorship. This type of person pitted against the government authorities and community organizations who are seeking to eliminate what is considered to be obscenity in popular music.
Problems arise in seeking a sufficient definition of obscenity as it applies to artistic works. It was decided that obscenity is a community matter and that it has to be confined on the basis of local, instead of federal, standards. In order for a product to be obscene, it should be patently offensive and it also must appeal to prurient pursuits and lack serious creative merit. Controversies come up in seeking a description for what constitutes artistic merit. Clearly, value in art is a really subjective thing. Some people will derive pleasure or insights from a work which others will find disgusting, disturbing or unappealing.
Reality rap and the topic of censorship is not something new. Lots of people in the record market took up arms against the legal censorship. Citing the Supreme Court decision that obscenity is defined by a lack of artistic merit, rap followers believed that it is hard to think that an album that almost 2 million people have bought, laughed with and danced to have no value as a imaginative work. Even though many people found it to be offensive, and many others considered its lyrics to be immature, there were obviously still many others who found some type of artistic value in it.
About the Author:
Hip hop music was first mastered in the seventies. In order to become a popular Reality Rap artist, one should sing out well, possess the right point of view, and most importantly know how to dance. Being a Street Music hip hop artist will not be an easy career. It undoubtedly needs a wide range of hard work, encouragement, and perseverance.
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